

I personally love a bit of bling, but let’s be honest who doesn’t? Don’t get me wrong, I’m not going all out Mr T, (now there is a man who likes his bling!), but I do enjoy the odd sparkly earrings and blingy necklaces (and thanks to a recent proposal, I now get to wear a nice sparkly ring too!) and channelling my inner Audrey Hepburn at Tiffany’s (I know a very subtle look). So, you wouldn’t be surprised to hear that one of my favourite brands we stock is Murano which of course some of their frames feature Swarovski Crystals which let’s be honest need I say more!
We’ve established I love bling, but that is not the only reasons I love Murano it’s also a brand that is both stylish and elegant (just like me…unless it’s washing Wednesday then it’s more comfy and clean kind of look). Another thing I love about Murano is that they are always keeping up with trends and fashions. They are constantly expanding their range to offer new and exciting styles. They offer traditional through to trendsetting styles with some of their frames of course featuring Swarovski Crystals! (I like to think of it as we are bringing a little Italian style and glamour to North Yorkshire) Now that I’ve explained why I love Murano so much maybe I should explain who they actually are.
Murano eyewear is an Italian company that is based in England which began in 1998 (I was 6 then by the way) and since then has become a successful trading well-established supplier of Italian design frames. They supply high-quality products solely throughout the UK & Ireland. (Lucky us!) Murano has grown not only in reputation for their high standard of quality and their attention to details but for their glamour’s styles and uses of colours, frame settings and use of Swarovski Crystals.
So, whether you’re looking to add a bit of style and elegance to your day to day look which I especially love the Murano Caserta or have a glamour’s extra pair of frames for special occasions the Murano Savona would be perfect and so look no further than our Murano range.
Just ask our lovely team located in Meltham or Greenfield, Saddleworth to help you find the perfect look.
It will soon be Mother’s Day and up and down the country lots of lovely Mums will be spoiled by their loved ones. Whether it’s with cards, flowers, chocolates and best mum ever teddy bears, we all want to say thank you. Now usually when I talk about public holidays, I talk about the history of these days. I talk about why and how we come to celebrate these holidays and customs. However, I decided to be a bit different from today’s blog. Instead, I’ll talk about the things we inherit from our Mums (and Dads).
We all know that we inherit things from our parents like hair colour, skin tone. Or the shape of our noses, ears, eye colour, even toes! As well as inheriting bodily features, we can also inherit things like eyesight. Or even eye disorders and some medical conditions that can be present from birth or develop in later life. Now, because we are an optician, I’m going to tell you just a few of the eye-related conditions you could inherit from your parents. I’m going to tell you about 3 of our most common hereditary eye conditions.
Glaucoma is an eye condition where the optic nerve becomes damaged. This causes problems with the connections from the eye to the brain. This damage is usually caused by fluid building up in the front of the eye, causing increased pressure inside the eye itself. Glaucoma can lead to loss of vision if untreated. It can also affect anyone at any age, but most commonly is diagnosed in adults in their 70s and 80s.
Age-related macular degeneration (AMD) is a condition that affects the middle part of your vision. It can cause issues with your day to day life, like reading and recognising faces easily. It usually begins to affect people in their 50s and 60s. Although the exact cause of AMD is unknown it has been linked with a family history of AMD, smoking, high blood pressure and being overweight.
Myopia (Short-sightedness) is a very common eye condition, where distant objects appear blurred and close objects are seen clearly. It affects 1 in 3 of us and is becoming more and more common. Myopia can range from mild to severe. In mild cases, treatment may not be needed and in severe cases, the vision is highly affected. Most commonly it begins to affect children between the ages of 6 to 13. This usually occurs due to the teenage years when the body grows rapidly causing myopia to worsen. Myopia can also occur in adults too, due to it running in the family or focusing on nearby objects such as books and computers, for long periods during childhood. If untreated during childhood or even adulthood it can lead to developing much more severe eye problems such as a lazy eye, glaucoma, cataracts, or even retinal detachment.
Now, the above disorders are just a few, but there are actually nearly 350 hereditary eye conditions alone that we can inherit and that’s not even from just our parents. These conditions can skip a generation, so you may even inherit conditions from your grandparents that your parents haven’t developed. It’s always a good idea to know both your parent’s conditions and grandparents too. Because we all potentially can inherit them, it’s a good idea to have regular eye tests even if you haven’t noticed any signs of the conditions yet.
If you are worried about anything with your vision then give us a call on Greenfield 01457 353100 or Meltham 01484 907090. Also, if you like us you love your mum. How about giving her the gift that keeps giving with an Allegro Optical gift voucher so that they can spend it on some gorgeous glasses or sunglasses of their choosing. Also, follow us on Twitter @AllegroOptical. Or follow us on Instagram @allegrooptical so we can see what you all get up to with your mums today.
Glaucoma is the name used for the group of eye conditions which cause damage to the optic nerve. This damage can ultimately cause sight loss. Our optic nerve is the wire that connects the brain and the eye together. It sends visual information from one to the other.
There is a misconception that glaucoma is one disease, when actually there are many different types. I will touch upon a few below.
This is the most common type of glaucoma, characterised by elevated intraocular pressure and an open anterior chamber angle with no other underlying pathology. Some of the risk factors for this include; increasing age, higher intraocular pressures (checked with the puff of air test), being of Afro-Caribbean descent, being short sighted and having a family history of POAG.
In early stages, most people with POAG don’t have any symptoms. They are only diagnosed as part of their routine sight test, which is why it is important to keep up to date with regular sight checks. Those in late stages of POAG may notice a restricted visual field and blurred vision.
This is a type of POAG, however in this type of glaucoma, there are no raised intraocular pressures (IOP). Although there are no raised IOPS, there is still damage to the optic nerve, retinal nerve fibre layer thinning and visual field loss ( we can use the OCT machine and the visual field screener, along with ophthalmoscopy to help identify this). Some of the risk factors for this type of glaucoma include; those with the higher-normal level IOPS; those patients with history of stroke or diabetes (any ischemic vascular disease) and those with Raynaud syndrome – this is commonly linked to migraine.
This is high IOP within the first year of life. Blindness occurs in 5/50 of all cases and reduced vision in 20/50 of all cases, it is rare, and only occurs in 1/10,000 births.
This is a very rare type of glaucoma in those individuals aged between 3 and 40. It is genetic and early onset in nature. It is not very responsive to medication and often requires surgical intervention, as it has a very rapid progression
Closed angle glaucoma, this happens when there is a sudden rise of intraocular pressure, which can cause damage to the optic nerve. This is usually caused by the pupil blocking the drainage channel of the eye ( in most cases), and in the case of Primary AACG, eyes which suffer from this type of condition are anatomically different from those which don’t, putting them at a much higher risk. They tend to be shorter, have thicker lenses – which are positioned further forward in the eye, and the cornea ( the window which covers the coloured section of the eye), tends to be flatter.
Some other risk factors for this type of glaucoma include; being long sighted, having a family history of this type of glaucoma, increase in age, being female, being of Asian or Inuit descent.
Secondary AACG is when trauma or eye disease can cause the pressure in the eye to raise.
This occurs secondary due to an underlying healthy or eye condition. Types of secondary glaucoma can include –
this is where the pigment from the back of the iris, is rubbed off by the front of the lens. This pigment then deposits itself in the drainage channel, eventually blocking the outflow of the fluid in the eye ( aqueous humour ), this leads to high pressure. In pseudoexfoliation, the drainage channel is blocked with a dust like substance. The dust comes from the surface of the lens capsule which is rubbed off by the continuous movement of the iris, when the pupil changes size.
Iatrogenic means caused by a medical professional, for example during surgery, or due to steroid use.
Uveitis is when the pigmented tissues of the eye ( the Uvea) become inflamed. It usually affects those from ages 20-59. There are different types of uveitis Anterior, Posterior and Intermediate all categorised based on which part of the uveal tract is being affected. The way in which uveitis can cause glaucoma is numerous; the inflammatory byproducts of fluid and protein may leak into the drainage channel and block fluid outflow; Uveitis can cause secondary angle closure glaucoma due to the inflammation in the front part of the eye; Uveitis is often treated with steroids. It is this steroid use which can lead to high IOPS and damage to the optic nerve.
When cataracts become very advanced, they can swell and block the outflow of fluid through the eye, and cause a secondary angle closure effect.
Being hit in the eye may cause high pressure though inflammation ( uveitis ), Bleeding ( haemorrhage blocking the drainage channel), dislodging of the lens in the eye.
Chemical burns can cause inflammation uveitis)
Blunt force trauma can cause the drainage angle to be pushed backwards, and over a number of years, there is a pressure build up/ development of high pressure.
Steroids cause the pressure in the eye to raise, and although they can be injected, inhaled, taken orally, used topically on the skin or eye, the most common way to cause IOP raise is by application locally to the eye. This is when a steroid is applied onto or around the eye, either by injection, or eye drop. This is why those people who are using eye treatment containing a steroid, should have their eye pressures checked on a regular basis.
this can occur when due to certain eye conditions ( such as diabetic retinopathy ), new blood vessels are created. These are small and leaky. They can grow into the surface of the eye, but also into the drainage channel, and block it, causing a raise in IOPS
There are several other reasons for secondary glaucoma, but these are just a few examples.
For NTG and PAOG usually no, not in the early stages. AACG does cause symptoms and can be extremely uncomfortable. I have listed some of the glaucoma warning symptoms below
Glaucoma is detected usually following a routine sight test. We check intraocular pressures using our pressure test, we can check the peripheral field of vision using our field screening test, we do a thorough examination using the slit lamp of the front and the back of the eye to look at the drainage channel and at the optic nerve using volk. We also carry out a OCT 3D scan if requested, and this can detect glaucoma up to 4 years early.
If raised IOPS are suspected we carry out repeat pressure reading; as checking pressures at a different time of day, on a different day, can also affect the measurement of IOP we obtain.
If glaucoma is suspected, an onward referral to the hospital eye clinic for further investigations
The aim of the ophthalmologist and hospital optometrist is then to manage the underlying cause and prevent any further damage to the optic nerve. Some of these treatments include:
Damage to the optic nerve can not be reversed, and glaucoma is the second leading cause of blindness worldwide, with around 60 million people living with it.
Damage to the optic nerve can however, be prevented if detected and treatment is sought at an early stage. Make sure you attend your regular sight tests, and if you have any concerns ring your optometrist for advice.
We are delighted to share with you the fantastic news that Optometrist Amy Ogden is now a registered practitioner with the British Association for Performing Arts Medicine (BAPAM). BAPAM is an umbrella organisation for performing arts medicine, which was established at the Royal Free Hospital in London in 1984 by the late Ian James, a consultant pharmacologist with a particular interest in musician’s health and well being. The research trust which Ian James founded grew into what is now the charity BAPAM. In turn, this has grown to serve all performers including musicians, actors and dancers. We have also extended its range of services.
Allegro Optical became the first Optician in the country to gain BAPAM registration in August 2018 and we are overjoyed that Amy has succeeded in gaining her accreditation. Being both a flautist and an optometrist Amy has an avid interest in the eye, vision and music. In particular how eye disorders and disease affect a musicians ability to play and perform.
Amy started in her role of Optometrist with Allegro Optical in November and here she has shared an overview of her role with us below. “My role at Allegro is extremely varied, which is one of the reasons why I adore working here. As an Optometrist, in my daily role, I carry out refractions ( checking the prescription). In addition, I check eye health using a range of techniques. Using procedures from volk, direct ophthalmoscopy, fundus photography. I also use our 3D OCT scanning and visual field screener to check peripheral vision. I also carry out colourimetry and overlay assessments to help those who suffer from visual stress. Working with Sheryl opened up a whole new role for me. Especially as I have been able to combine my love of music and my passion for optometry”.
“I have seen first hand how musicians begin to struggle when they hit the presbyopic stage of their lives ( the stage when they begin to need spectacle corrections for reading). It can have dramatic effects on their sound quality. Especially as they tilt their head to see the music- affecting their airways. This can lead to missed notes due to poor vision. Many struggle to see the conductor or fellow players due to wearing a near correction. I wanted to help find a solution to this. To be able to provide one pair of glasses for a musician, so they are able to see all the required distances. Working with Sheryl has allowed me to help play a vital part in this process. We have been successfully helping musicians to see the music together since I started as a resident Optometrist here in November.
“Gaining registration with BAPAM is so important to me. It enables musicians to find us easier, and be aware there is a solution to their problem. I am so excited to see what the future holds for us at Allegro and to see how many other musicians we can help”.
At Allegro Optical we provide consultations at our practices in Greenfield, Saddleworth and Meltham, Holmfirth. We also offer a peripatetic service which can visit all the major musical institutions. We can provide onsite optical solutions to all ensemble members. As musicians ourselves, we’re able to ask the right questions. We can also interpret the answers to create a truly unique pair of lenses. Using our combined optical and musical skills we are able to address and resolve the many visual problems encountered by musicians and performers.
Allegro Optical specialises in all aspects of a musician’s vision correction. We aim to return and enhance musicians playing pleasure and performance experience. The team has over 150 combined years’ experience in the optics and entertainment industry. Whether you want advice or a practical solution call Allegro Optical in Greenfield on 01457 353100 or Meltham on 01484 907090 or visit https://www.allegrooptical.co.uk/
As a healthcare provider, the team at Allegro Optical Opticians are constantly striving to deliver the very highest clinical and hygiene standards possible. These standards always include regular hand washing and the cleaning of all our equipment between each client. However, given the threat that we are all facing from COVID-19, we have introduced some new measures to help slow the spread of the virus:
As an independent optician, we can offer greater control of store access to provide a less crowded service, minimising the risk of spreading the Covid-19 virus.
We are determined to continue delivering the exceptional service our clients have come to expect from us. We hope to see you in our stores soon.
For the Coronavirus (COVID-19): UK government response click here
Now I don’t want to sound patronising, but I wondered how many of you lovely readers really do know the best way to clean your spectacles?
Many of us spend a fair amount of time choosing a spectacle frame, I know I do. We all worry “Do these glasses suit me?” “Does the frame go with my colouring and face shape?”. Many of us invest in some decent lenses to ensure we have the best vision possible. But then what? So often I see people cleaning their glasses with the edge of a tee-shirt or jumper!? Or even worse not cleaning them at all, some peoples lenses are so grimey that they look foggy and some have green or even worse, black nose pads. Yuck!!!!!
Read on and I will tell you how to keep your gorgeous new glasses looking brand new for longer.
According to my Mum (Sheryl) there hundreds of different lens coatings out there. If you give her or my sister Abi a chance they’ll bore us talking about them for hours. They talk about things like transmission rates, residual blooms and anti-static properties, blah, blah blah! For those of us who aren’t lens geeks, there are 2 basic types of spectacle lenses-coatings. Hard-coats (Scratch resistant) and anti-reflection (Stops you seeing your eye looking back at you).
In my humble opinion, the anti-reflection coated lenses are best. They reduce reflections (a must if you use a computer) and give you crisper vision. My fiance Simon likes them for the help they give when he is driving. They help to reduce the glare of oncoming headlights.
Hard Coated lenses are a more basic lens but require similar-looking after. The hard coating is only scratch-resistant, it isn’t scratch proof. Only diamonds are scratch-proof, so I’ve heard. By knowing the best way to clean and take care of your lenses and frames you will get the very best out of your glasses and probably extend their lifetime.
To find out if your lenses have a coating on them, look at them under bright light. If they seem to have a purple or green tinge on the surface they have an anti-reflection coating on them. Lenses with an anti-reflection coating require a bit more attention and you will probably want to clean them more often than a standard uncoated lens. This isn’t because they get dirtier, it’s simply that any marks on the lenses are much more noticeable.
It’s good to wash your lenses and frame every day using warm soapy water. Always use a gentle soap (Mum always says to use any soap you can wash your face with is fine) and plenty of warm water. Gently pat your spectacles dry with a soft cloth and polish them with your cloth.
For coated lenses use a special microfibre cloth as these absorb the grease from the surface of your lenses. “Why are microfibre cloths so special”? I hear you ask! Well, if you don’t use the microfibre cloth, then the grease will get smudged all around the lenses and you’ll probably end up with dirtier glasses than when you started. Don’t forget to wash your cloth regularly too. Mum is always recommending that her clients pop their spec cloths in the washing machine once a week, with the tea-towels. But never put fabric conditioner in with them.
Please DON’T, whatever you do, use tissues to clean your spectacles! They are very abrasive and can damage your coating. Also, DON’T use washing up liquid to clean your lenses, it’s far too harsh and sooner or later a ‘filmy’ layer will build up on your lenses that is extremely hard to shift!
It’s a good idea to keep a spray specifically designed for lenses to hand throughout the day. At Allegro Optical we use a specially formulated spray in all our practices. Our spray lens cleaner removes all traces of grease and those pesky day to day products such as hairspray, perfume and aftershave. It even has a lovely fragrance! This spray is one of the best ways to clean camera lenses and tablet screens as well! We also have a soap-based spray if you wish to carry something a little smaller with you.
At Allegro Optical we have teamed up with our lens manufacturer who provides a lovely microfibre bag for cleaning and storing your glasses. And as we said the microfibre bag can be washed in your washing machine if it starts to look grubby.
If you have uncoated lenses or lenses with just a hard scratch-resistant coating you’ll notice they don’t require as much attention as a coated lens. Dirt doesn’t show up as much on an uncoated lens, but they do get just as dirty. It’s only once you’ve cleaned them that you realise just how dirty they really are!
We advise you to wash your lens cloth every day if you have uncoated lenses. Also don’t forget to wash your frame every day, again using a gentle soap. Again pat your glasses dry with a soft cloth. You then just need to polish your lenses with your lint-free cloth. As before I recommend that you avoid using tissue as it will damage your lenses. Once a lens is scratched, scratches cannot be removed.
With all that in mind, you will now be able to look after your beautiful new glasses and get the very best out of your new eyewear. If you aren’t lucky enough to own a pair of beautiful glasses from Allegro Optical, all is not lost.
Did you know we’re the only Optician in Saddleworth and Meltham with two qualified Dispensing Opticians & three qualified Optometrists available to assist you? They all work together to provide you with award-winning eyecare and absolutely stunning eyewear.
Our optometrists can detect Glaucoma, Diabetes, Macular Degeneration, Cataract, and much more. Thanks to our 3D OCT scan they can detect these conditions up to four years earlier than traditional methods. It doesn’t just stop with the eye examination. All Allegro Optical’s Dispensing Opticians are qualified professionals and they are all registered with the General Optical Council. At many optical outlets, glasses are dispensed by unqualified staff or optical assistants. This can lead to serious errors and affect your vision. Always make sure you’re tested & dispensed by qualified professionals.
In the last twelve months, Allegro Optical has scooped no less than five national and regional awards. These awards include the National ‘Best New Arts & Entertainment Business of the Year at a gala event in London. Managing Director Sheryl Doe (My Mum) was awarded the 2019 ‘Dispensing Optician of the Year and she was a finalist in the AOP Dispensing Optician of the year 2020. Allegro Optical’s cutting edge approach to dispensing and their musical experience has led to our team being shortlisted for the prestigious Opticians Awards, Optical Assistant team of the year 2020
If you want peace of mind and would like to experience award-winning eyecare, or just call the Allegro Optical team on Meltham 01484 907090 or Greenfield on 01457 353100
There are hundreds of brands associated with eyewear, but few have a history which has stood the test of time. It is always interesting to see how a company has grown. Usually from humble origins and through tough economic climates. Quality prevails and here is the history of just 2 of the quality brands we stock at Allegro Optical.
No one is sure when this brand came to be, but at some point around 1881 an Englishman named Stanley Druiff set off for the U.S for the procurement of fountain pens, watches & spectacles to sell back in Britain. Only the sale of the spectacles succeeded! In fact, so successful was he, that he went on to found The Anglo-American School of Optics, an educational training service. The school offered personal tuition or lessons by correspondence. In this 1902 advertisement, (Now owned by the British College of Optometrists) it claims to be the ‘Oldest School of its kind in this country’, with the aim of turning out the ‘thorough refractionist’.
In 1947 the company was bought from Druiff’s descendants by optician Arthur Jenkin. With the commencement of the NHS in 1948 demand for frames increased dramatically. Imports from the U.S ceased during WW2 and resumed again in 1955. Jenkins’ son, Lawrence, left Britain in 1967 and headed for New York to learn the trade of spectacle making. He first worked as a dispenser for a high-class optical practice where he found himself amongst celebrity clients such as Paul Newman & Greta Garbo. Inspired by such clients, he went on to do some freelance design. Ultimately backed by American money, manufactured frames in volume for the first time. The business grew very successfully and by the 1980’s boasted a Park Avenue, New York practice and gained a huge following still popular today.
In 1926 Philip Oliver Goldsmith was a salesman for the large optical firm Raphael’s Ltd. He started hand-making spectacles at premises in London and established his own company to sell them at 4 guineas a pair. Goldsmith developed the first flesh coloured frame in an aim to make specs more unobtrusive.
In 1936 his son Charles joined the company and it was he who recognized their true fashion potential. Ornamental frames were made to coordinate with clothing and featured jewels and metal inserts.
During World War Two, Oliver Goldsmith was seconded by the government to make prescription glasses for the armed forces. ‘My grandfather said the most distressing aspect of work at the time was getting the “dead list” who no longer needed spectacles made for them,’ Oliver Goldsmith recalled.
The firm still produced glasses, but form was not as important as function. The gas mask spectacle was in great demand at the time – with ultra-thin temples and small diameter lenses.
Two years after the war finished, Oliver (Philip) Goldsmith died suddenly. He had kept a health condition secret from his family for some time. His son, Charles Goldsmith, who had worked at the company since the age of 16, assumed the name Oliver when he took over the business.
After his father’s passing, the company sold sunglasses to high-class establishments such as Harrod’s. He began advertising in British magazines including Tatler and Harper’s Bazaar. Celebrity endorsements helped their fame and it is known that before marrying, Prince Charles and Lady Diana Spencer commissioned spectacles from them to match Lady Diana’s dresses.
Oliver Goldsmith spectacles soon became synonymous with high quality, sought-after eyewear and are still going strong today.
We have a wide selection of Anglo American and Oliver Goldsmith frames here at Allegro Optical, so why not call in and try some on? We’re sure you’ll love them!
Blog by Claire Atkinson
Life is full of coincidences but can you imagine my surprise when I answered a phone call from a fellow cellist who shared not only a love of my favourite instrument but also my name and star sign. Following an internet search Cellist, Cheryl Hale contacted Allegro Optical in December 2019. She was experiencing problems seeing the music on her stand. Especially chords, accidentals and divisi parts, particularly in the case of older music and orchestral parts. As a cellist myself I understand entirely Cheryl’s frustrations. In situations such as this seeing the music becomes more of a challenge than actually playing it.
Music teacher Cheryl, who also plays the Harp, Piano and Recorder, travelled from Hertfordshire for her consultation bringing her fabulous instrument with her. Following a detailed eye examination with Optometrist (and flautist) Amy Ogden it was found that Cheryl needed a good prescription range as she plays at multiple distances. Cheryl needs a myopic correction, but the effects of presbyopia were causing problems at the nearer distances. As she explained on the phone varifocals failed to correct Cheryl’s vision at music stand distance. Especially as the stand is offset to one side. This means Cheryl is unable to look through the correct part of her varifocal to see the music clearly when playing.
Following Cheryl’s consultation with Amy, I joined them to design a lens which would allow Cheryl to view her music clearly from the side. First Cheryl chose her frame. She settled on the rimless silhouette 5226 frame with a pretty feminine shape to compliment her facial features. The frame is perfect as being rimless it allows her to see the neck and fingerboard of the Cello unencumbered. It also provides a wide enough field to see her sheet music on the stand. I dispensed our new wider field Fogotto PL lenses but added an anamorphic component to the lens design to widen her field of view further. The term anamorphic means ”formed again” and is of Greek origin. This anamorphic component enables us to expand Cheryl’s lateral vision.
We also incorporated some prism into the lenses to help with fixation and fatigue. This is especially useful when playing for long periods of time. Cheryl’s lenses are manufactured from a 1.6 high index optical resin. The resin provides durability with minimal weight as she often plays for hours at a time. The last thing Cheryl needs is a heavy pair of spectacles weighing on her nose.
Once fitted with her new glasses, a few weeks later Cheryl was utterly amazed by the clarity her new lenses provided. “Absolutely amazing!!!” She said; “I can’t believe the difference with your lenses. Everything is so clear and large. I really can see every single note. Thank you so much.”
As an independent family run business, we are gaining an international reputation for professional excellence and an inventive approach to meeting customer needs.
Now known internationally as the ‘Musician’s Opticians’ we are attracting many clients from across Europe and further afield. Our groundbreaking work with performers, players and conductors has resulted in Allegro Optical becoming the first and only opticians to gain registration with the British Association for Performing Arts Medicine (BAPAM).
We treat each client as an individual because they are. It is true that no two musicians are the same, so why should their vision correction be? We enjoy creating unique lenses to meet a musician’s particular needs. As musicians ourselves we can ask the right questions and interpret the answers accordingly.
We’ve been pretty successful in helping performers to #SeeTheMusic. In fact, in the last twelve months alone we have scooped no less than five national and regional awards for our work in this field. These awards include the National ‘Best New Arts & Entertainment Business of the Year‘ at a gala event in London. Managing Director Sheryl Doe was awarded the 2019 ‘Dispensing Optician of the Year‘ and she was a finalist in the AOP Dispensing Optician of the year 2020. Allegro Optical’s cutting edge approach to dispensing and their musical experience has led to the team being shortlisted for the prestigious Opticians Awards, Optical Assistant team of the year 2020
During March 2019, Allegro Optical was awarded the ‘Scale-Up Business of the Year‘, at the regional finals of the Federation of Small Business awards in York. They then went on to receive the FSB Chairman’s award at the national finals in May. Finally winning the FBU Yorkshire family business of the year.
Allegro Optical has been featured in many national publications including The Times, 4BarsRest, The British Bandsman and Music Teacher Magazine.
If you are a musician who is struggling with their vision and making music no longer the enjoyable experience it once was, give us a call at either Greenfield on 01457 353100 or Meltham on 01484 907090.
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