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Now Yanna can see the music

A talented pianist’s search for help to see the music

In this blog, we look at how a talented and inspiring Pianist was helped by our specialist musicians’ glasses. Yanna is a fascinating woman, and it has been a pleasure to collaborate with her. Her music history encompasses the traditions of her family’s heritage, (Asia Minor) and the complexity of her musical background, as evidenced by a successful career as a teacher, concert pianist, conductor, and accompanist.

Yanna was born in Thessaloniki, Greece and is a proud citizen of both Greece and the UK. She grew up with a wide range of musical influences from her parents’ unusual musical interests that covered everything from Greek folk music and Theodorakis to Tchaikovsky and Bartok.

Time to TangoA person playing a piano

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From a young age, Yanna played the piano for her parents and their friends, reading from a piece of faded photocopied ‘fake’ sheet music with all the fashionable tangos, waltzes and ballads of the 1930s and 40s as they all sang in harmony.

Yanna is an experienced pianist and accompanist. In 1987 she was awarded the Dimitri Sgouros ‘Prize and Scholarship’ by the New Conservatory of Thessaloniki from where she graduated in 1988 with the ‘Diploma for Piano performance and teaching’. 

London Calling

She continued her piano and conducting studies at the Royal Academy of Music in London, where she was awarded the Cipriani Potter Exhibition prize during her second year as an ‘Advanced Studies’ student. She graduated with the ‘Diploma of Advanced Studies’ in 1990. Yanna moved to the US in 1991 where she gained her Master’s degree in ‘Piano Performance and Literature’ at the Eastman School of Music, Rochester NY U.S.A. in 1993.

After a 10-year worldwide concert career, Yanna settled in the UK where she raised a family, taught the piano privately and classroom music since 1993. Since 2018, Yanna is getting back to performing professionally and is currently preparing her first solo CD album which is due to be released in December 2022.

In 2018 Yanna co-founded ANIMO, a flute and piano duo, with her friend Sarah Waycott. Since 2019, she is the proud owner of a Gustav Klimt (Goldene Adele) Bosendorfer 214 VC which she has used for several recordings, Animo’s first and second CD albums and weekly Livestreams during the last few years.
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Yanna needed to see the music

Having always had a relatively high myopic prescription Yanna is an experienced spectacle wearer. However, the varied focusing distance required of a professional pianist was beginning to present her with the problems associated with presbyopia which are very familiar to us at Allegro Optical. Yanna needed to see her music on the stand, her musical collaborators and ideally a good view in her periphery.

Yanna first contacted Allegro Optical in February 2020, just before the COVI|D-19 crisis and the ensuing national lockdown.

She explained that she played a grand piano and had begun to struggle with blurry notes and indistinguishable shapes and lines. Yanna told us that when playing professionally and performing downlighters or overhead lighting reflected and displaced the image she saw. This caused all the notes to become blurry. The reading glasses that were made for her were impractical and her varifocal lenses gave too narrow a field of view.

Yanna booked her first appointment with Allegro Optical for Friday 27th March in Greenfield, Saddleworth. That was unfortunately postponed due to the first 2020 lockdown and Yanna didn’t get to visit us until September the same year. In the meantime, Yanna began having some issues with a retinal tear and was referred to Birmingham Midland Eye Center for further advice and investigation.

Following her discharge from the hospital in August 2020, Yanna contacted us again and we arranged an appointment in September of the same year.

A bit of a conundrum

The day of Yanna’s visit was an extremely busy day, with a very full clinic. Optometrist and flautist Amy carried out a thorough eye examination and noted Yanna’s complex ocular history and her many working distances. She then produced a prescription

covering all Yanna’s working distances and then introducing her to dispensing optician Sheryl.

Sheryl took all of Yanna’s facial measurements to help her find a frame that fitted perfectly, both in terms of comfort and performance. Well-fitted frames would provide the perfect mount for Yanna’s complex lenses. The frame also had to be practical but reflect Yanna’s unique style and work with her deep colouring. They also had to stay put while Yanna was playing. Little did the pair realise this meeting was to be the start of a long-time collaboration and Yanna now works with Allegro Optical to help us develop musicians’ eye care further and to raise awareness among performing artists of the need for specialist eye care.

Multiple distances require multiple solutions

After some discussion, Sheryl was concerned that including her correction for an elevated music stand in one pair, would compromise Yanna’s field of view and posture. To give the very best solution they settled on one pair of varifocals for everyday wear and another for use with a music stand.

Yanna opted for a Hook LDN HKS011 frame in Navy and Tortoise as the colours complimented her colouring, reflecting her personality while providing a comfortable fit and good lens size. We glazed these lenses with an individualised freeform varifocal in 1.74 index lenses with Transitions® Signature® GEN 8™, the first intelligent photochromic lens with their breakthrough nanocomposite technology that enhances photochromic performance and provides optimal vision, comfort and all-day protection.

Something for the piano

To provide the widest possible area for music (about 1.2 meters across and elevated) Sheryl dispensed a pair of spectacles with our Fogoto lenses to provide the widest and deepest field possible.

This time Yanna opted for a traditional yet iconic style of frame, choosing the Anglo American 313, HYBG. Again we decided to glaze these lenses with Transitions® Signature® GEN 8™. Yanna’s music room has a lot of glass with two huge windows. Glare is often a problem and a photochromic lens option appealed to her.

Things don’t always go to plan

When Yanna collected her new spectacles she was delighted with the varifocals, but it quickly became apparent that there was an issue with the right eye in the music spectacles. While the vision in her left eye was in her words “amazing” the music in the right side of her right eye appears blurred. We invited Yanna back for further investigation. Optometrist and Gospel Singer Gemma carried out a detailed eye exam and found that Yanna had some partial defects on her binocular visual field exam, possibly caused by some slight scarring. Yanna had developed a “Weiss ring”, a circular peripapillary attachment that forms following a Posterior Vitreous Detachment (PVD) from the optic nerve head. We then worked some prism into Yanna’s lens design to try to resolve the issue by moving the image she sees from the scarred area of the retina.

Yanna visited Birmingham Midland Eye Centre again in March 2021 but decided against vitrectomy surgery because of the risk of retinal detachment. In January 2022 Yanna felt she needed a change of glasses and she again travelled up to Meltham. This time she saw Optometrist and fellow pianist Liz. Liz conducted a 3D OCT examination which revealed a large mass of floaters from Yanna’s previous PVD in the right eye and a partial PVD in the left eye.

Time lapse

Since her last visit, we had invested in a Saccadic Clinical Eye Tracker allowing Liz to assess binocular function while the patient is sight-reading or making a series of saccades or performing other complex tasks. This was a game-changer for Yanna as the examination revealed her binocular vision to be a little unstable. Her fixation disparity varied and prisms now preferred the opposite to phorias. Liz also found that while the right eye was dominant in the distance Yanna was now left eye dominant near. The floaters in her right eye also seemed to be causing problems.

The trick now was to create a pair of spectacles that would help Yanna to continue playing despite all her vision problems. Sheryl designed a pair of lenses that would make the most of Yanna’s limited vision in her right eye. With a difference of nearly three diopters, there was a danger of double vision caused by differing image sizes. This was resolved by using different indices and asphericising the right lens to reduce minification. Using computer numeric control technology we were able to create a lens that minimised optical aberrations giving Yanna the best vision possible.

When Yanna collected her glasses we ran the same Saccadic Clinical Eye Tracker exam with her new glasses on. The exam revealed no binocular problems whatsoever. Yanna was delighted and it wasn’t long before she left the following Google review.

Yanna said; “Probably the most thorough, knowledgeable and persistent in getting results opticians I have ever encountered! I went to Allegro Optical initially for musician’s glasses. I really wanted to be able to see more when performing on stage and to be able to communicate with my duo colleagues rather than looking at a foggy outline or having to swap glasses all the time.  Unfortunately, a retinal tear that developed immediately after I made my first appointment in 2020 and COVID getting in the way of everything, we had to work around many difficulties, none of which deterred the owner Sheryl Doe, who was determined to make me the best possible pair of glasses as close to the original brief as possible. And in April 2022 they did! I am the very happy owner of two fantastic pairs of specs, one varifocal and the other my “magic” pair for playing the piano and working on the computer. This was all possible thanks also to their new saccadic eye scanner which showed them exactly the kind of issues I had to struggle through when I was reading a score. The result is miraculous! I can see better, my eyes are more relaxed, I am not getting a single headache from reading music or working on the computer and as for my varifocals, it’s like I am not wearing glasses, that’s how comfortable they are! Allegro, Optical thank you!

I would recommend Allegro’s unique skills to anyone, particularly if you are struggling with any eye issues or you want to be able to read music effortlessly. Superb service in every way!”

Why do musicians come to Allegro Optical?

As an independent family run business, we are gaining an international reputation for professional excellence and an inventive approach to meeting customer needs.

Now known internationally as the ‘Musicians Opticians’ we are attracting many clients from across Europe and further afield. Our groundbreaking work with performers, players and conductors has resulted in Allegro Optical becoming the first and only opticians to gain registration with the British Association for Performing Arts Medicine (BAPAM).

We treat each client as an individual and it is true that no two musicians are the same, So why should their vision correction be? We enjoy creating unique lenses to meet a musician’s particular needs. As musicians ourselves we can ask the right questions and interpret the answers accordingly.

Award-winning eye-care

So successful has Allegro Optical been in helping performers that this year alone we have scooped no less than five national and regional awards. These awards include the National ‘Best New Arts & Entertainment Business of the Year‘ at a gala event in London. Managing Director Sheryl Doe was awarded the 2019 ‘Dispensing Optician of the Year‘ and in 2021 Allegro Optical Dispensing Optician Kim Walker scooped the same title.

The company has been featured in many national publications including The Times 4BarsRest, The British Bandsman and Music Teacher Magazine.
Are you a musician who is struggling with their vision? Is making music no longer the enjoyable experience it once was? If so call us at Greenfield on 01457 353100, Marsden 01484 768888 or Meltham on 01484 907090.

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Music

Guest blog by pianist Norma Wilson

Norma Wilson is a pianist and flautist from the West Country. She first visited Allegro Optical in 2020 and has since collaborated with us on several projects including The RSM & BAPAM, Sustaining A Career Into Old Age podcast. 

In this blog, Norma talks about how Wet Macular Degeneration has impacted her career and how she manages her condition to continue playing.

Wet Macular Degeneration – a musicians perspective.

I am a keen amateur musician.  From a young age I would borrow music scores from the library and I am a proficient sight-reader.  In 2016 I was diagnosed with Wet Macular Degeneration in both eyes. The onset was very sudden ( I noticed Fiona Bruce looked beetroot colour with a very long face when I watched the News) and when the second eye was affected I was devastated when the Eye Consultant said it could affect the way I read music. 

I had noticed that when I looked at music notation the lines were wavy, there were some blurry patches.  The main problem was the light, I would get a sparkling effect when I moved my eyes from the score to the keyboard and back again.  The light was refracted and I had a general feeling that my vision was distorted.  

Fortunately, I read an article about Allegro Optical, in SideView, the Macular Society Newsletter.  I live in Bristol but made the journey to Meltham to see if they could help me. Allegro Optical describe themselves as a musicians’ optician.  It was a very different eye assessment, I took music along, there was a piano and a music stand.  The measuring process to make me special ‘music reading glasses’ took quite a while.  Allegro Optical have a piano and music stands, so I took some music with me and my flute which I play as well as the piano. 

  • I had an eye test, which included an OCT scan, a field of vision scan my eye movements were tracked and I had an eScoop assessment for my AMD.
  • They measured the distance between the music score to my eyes both seated at the piano and standing with my flute in front of a music stand.  They were trying to find my ‘working distance’  in my case 21 “
  • My previous optician had tried several times to make me some music reading glasses, they were single view with increased magnification, but that did not address the problem and created more distortion and reduced the field of vision. 
  • Allegro Optical were considering colour and prism. They measured eye to music, eye to stand, eye to piano and how wide my field of vision was. I was persuaded to have a slight yellow filter, I have to say this has helped reduce the sense of eye strain. 

When we consider how a musician reads a score we know that

  • You often read more than one line at a time, treble and bass clefs, but if you play with other people you read across four or more staves.  Your eyes are looking up and down and across. If you then turn your gaze away from the score to look at your fellow musicians you are looking into a different light source and back again. 
  • Light is of the essence, so getting advice on this is important. 
  • Relying solely on reading from a paper score is not always easy so over the years I have been advised to get an IPad Pro (larger iPad A4) and to use several Apps:
  • it depends greatly on which software is used, but Scoringnotes.com for instance tends to make adaptations that work for the visual effect of the score.
    > More detailed information on this can be found here:
    https://www.imore.com/best-music-reading-apps-ipad
    https://www.musicnotes.com/now/tips/the-3-best-hands-free-page-turners/
  • IMSLP  International Music Score Library Project  it started in February 2006. It is a project for the creation of a virtual library of public domain music scores based on the wiki principal. There is  forScore, Piascore, Musescore etc

I was advised that I scan my own score and then get it in Dropbox and then get that into the App ForScore which I use on the iPad. But whether or not you do that or just download, the important thing to get it bigger is to have an iPad Pro (large screen size) and then turn it on its side. That makes the music much bigger—though of course then you have to turn the page twice as much! Using an iPad also helps because it is backlit so the light is more consistent. 

It is important for me that I continue to play music as I age and with my specialist music reading glasses, iPad and the use of various Apps I know I can continue for many years to come. 

Norma Wilson

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News

Wind Musicians and Glaucoma January is Glaucoma Awareness Month at the “Musicians’ Optician”

The month of January is Glaucoma Awareness Month, a time to raise awareness of the leading cause of irreversible blindness. We take Glaucoma very seriously at Allegro Optical since many of our staff members are wind instrumentalists. 

Researchers have recently concluded that musicians who play high-resistance wind instruments may be more inclined to develop glaucoma. This is because blowing into high-resistance wind instruments causes the body to automatically perform a Valsalva manoeuvre in response to certain stimuli. Wind instrumentalists take a breath, but before they begin playing there is a momentary hesitation as their tongues rise up and lock in place, building up air pressure in their mouth.

Focusing on musicians eye pressure

JS Schuman demonstrated in 2000 that playing notes with high resistance and amplitude increases eye pressure significantly. When playing their instruments, high- and low-resistance wind musicians experience a transient increase in intraocular pressure (IOP). Optometrists measure this with the puff of air test. Players with high resistance to wind experience a greater increase in IOP than those with low resistance to wind. 

A small but significantly higher incidence of visual field loss (loss of peripheral vision) was observed among wind musicians who had high resistance.  According to JS Schuman, long-term intermittent elevations in IOP during the playing of high-resistance wind instruments, such as a trumpet, can result in glaucomatous damage that could be misdiagnosed as normal-tension glaucoma.

Soprano and Alto Saxophonists, French Horn players, Soprano Cornet players and Oboists experienced smaller increases in IOP. Once a musician stops blowing into the instrument, the IOP returns to normal. During playing instruments, these players may experience “transient” (in terms of hours) periods of increased eye pressure. Because it has not been studied, no one knows how common glaucoma is among high-resistance wind instrument players. A musician who has more than one risk factor is probably more susceptible to glaucoma. A short-sighted professional trumpet player with a family history of glaucoma, for example, would have an extremely high risk of developing glaucoma.

Who Is Susceptible To Glaucoma?

Glaucoma and its effects should be of concern to everyone. Some people are at greater risk of developing this disease because of certain conditions related to it. Among them are:

  1. Those with a family history of glaucoma.
  2. People of Afro-Caribbean origin are four times more likely to get glaucoma than Caucasians.
  3. Short-sightedness (needing glasses to see at distance) increases the risk of developing primary open-angle glaucoma. Another type of glaucoma, angle-closure glaucoma, is more common in long-sighted individuals (who require glasses for near tasks).
  4. Glaucoma is also more likely to affect people with diabetes, those who have had eye injuries, or those who have had long-term treatment with steroids.

What is Glaucoma?

Glaucoma is not one disease. In reality, it is caused by various diseases that affect the eye. These diseases cause glaucoma by gradually deteriorating the cells of the optic nerve, which transmits visual impulses from the eye to the brain. The nature of glaucoma can be clarified by understanding how the eye works.

An eye is filled with a jelly-like substance referred to as vitreous. In the front of the eye, a small compartment, the anterior chamber, is filled with a watery fluid, the aqueous humor, which not only nourishes the cornea and lens but also provides the necessary pressure to maintain the eye’s shape. Intraocular pressure, or IOP, is the name given to this pressure. 

A gland behind the iris produces aqueous humor, called the ciliary body. After nourishing both the cornea and lens, it drains through a thin, spongy tissue only one-fiftieth of an inch wide, called the trabecular meshwork. As this drain clogs, aqueous humor cannot leave the eye at the speed it is produced. Consequently, the fluid backs up and the pressure in the eye increases.

Damage caused in the eye by increased pressure

The optic nerve can be damaged by glaucoma. Gradually, this nerve deteriorates, causing blind spots in the visual field, particularly in the periphery. Normally, the “cup” in the centre of the optic disc is quite small in comparison with the entire optic disc. When the optic nerve is damaged by glaucoma, the nerve fibres begin to die because of increased pressure in the eye and/or a loss of blood flow. As a result of glaucoma, the optic nerve cup enlarges (and in reality, the optic nerve enlarges as a result). Although the exact reason for this occurrence is unknown, increased eye pressure is likely to be the cause of this nerve damage. 

We all want to enjoy as long a music-making career as possible, we all know making music isn’t just a hobby, it’s a passion and a way of life. So protect your sight reading by looking after your eye health and your vision. If you can’t sight read the music on the stand you won’t be able to play it. 

Protect your vision and extend your playing career by following a few simple tips. Here are some habits that can reduce the risk of glaucoma-related vision loss include:

  • Have regular eye exams, at least once every two years
  • If you have a family history of glaucoma then have an exam every year
  • Consume lots of leafy greens and fruits
  • Regular and moderate exercise is essential
  • Stay healthy by maintaining a healthy weight
  • Consume coffee moderately, or better yet, sip tea instead
  • Avoid smoking

Give your eyes a little TLC during Glaucoma Awareness Month? Call Allegro Optical in Greenfield or Meltham to schedule an appointment! The best way to maintain good eye health is to have regular eye exams at all ages!

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About Allegro News

Glitz, Glam and Huge Knickers by Xanthe Doe

It’s the most wonderful time of the year!

It’s the most wonderful time of the year! The festive party season is in full swing and many of us are desperately searching for that perfect dress, shimmering shoes, and beguiling bags. All so we can look absolutely fabulous at the works Christmas party. Plus making sure we don’t eat too many mince pies so we can still fit into our perfect dress…thank god for shapewear underpants! But no party look would be complete without the perfect eye make-up. This is easier said than done for spectacle wearers, who often find this tricky to get right. Cue me spending an hour going for the smoky eye look and the end result looking more like Tai Shan the panda…but that’s a whole other story. Whilst many of us will opt for contact lenses on a big night out, others may not be able to wear them or some just prefer to keep their frames on. But there’s absolutely no reason why we should have to sacrifice those glammed up eyes because of your specs! Here’s some quick and easy party season make-up tricks for gorgeous spectacle wearers: Here’s some quick and easy party season make-up tricks for gorgeous spectacle wearers:

Going Bronze

Bronze, metallic eyeshadow (my favourite!) is big in the beauty world, and for spec wearers it’s an excellent colour of choice to make your eyes really stand out. Warm metallic and shimmery shades are soft and help to lighten your eye area. The Revlon Nudes palette is a great product for mixing bronze hues, allowing you to create a more intense look that contrasts with your frames.  

Load up on Liner

Eyeliner is a spec wearers’ best friend, creating that wow, stand-out party season eye make-up look. Choose a soft black kohl such as Revlon’s Colorstay Eyeliner to line your eyes along the top and bottom lashes. Keep the line thin on the inner corners. Then  thicken it up as you sweep it across and gently smudge to create that smokey-eyed look. For more intensity, use a thin black liquid liner to outline your lashes on your top lid. Always apply a couple of coats of mascara to your top lashes. Xanthe winter fashion

 Glamorous Glitter

If you really want real impact, glitter eyeshadow is always guaranteed to make your eyes stand out in your frames. It’s also the perfect festive party season make-up look, and is really easy to create. Whatever shade of shimmer you choose to enhance your eyes, make sure you apply a cream eyeshadow base first before adding the glitter. This helps to keep it in place. Use a slightly damp brush to apply the glitter, dabbing on bit by bit and using gentle pressure to help it set. Use a touch of Vaseline on a piece of tissue to wipe away any excess glitter. Xanthe goes glitter

Boost your Brows

Spectacles naturally draw attention to your brows, so make sure yours are well groomed and enhanced to make the right impact. Pluck or trim any stray hairs and use a brow defining product such as Benefit’s Browzings Eyebrow Shaping Kit to fill in any sparse spots. Sweep a light dusting of shimmer powder underneath to define your brow bone and lift your eye area. Xanthe's brows

 And don’t forget…

  • Since you can’t apply make-up wearing your glasses, use a magnifying mirror to help you see better.
  • Curl your top lashes so they flick upwards and don’t hit your lenses.
  • The thicker your frames, the thicker your eyeliner needs to be to make your eyes stand out.
  • The colour of your eyeshadow shouldn’t compete with the colour of your frames.
  • A good rule of thumb I use when picking eyeshadow colours is to avoid picking colours, you’d find opposite on a colour wheel and swabbing them together on the back of your hand to see if they blend nicely together.
When did you last have an eye examination? If you’re overdue an eye examination why not book one today! Call Greenfield on 01457 353100 or Meltham call 01484 907090  
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About Allegro Music News

A spectacular Clarinet and Baritone Duo thanks to Specialist Musicians Glasses

Specialist musicians glasses help a very musical couple

In this blog we look at how Specialist musicians glasses have helped a very talented musical couple. It’s no secret that at Allegro Optical we love music. Music and Optics are our two great passions, and we love meeting people who share our passion. Especially when we get to see them year on year. We take such pleasure in helping fellow musicians, from all walks of life, to continue doing what they love. Making music!  Making music is a wonderful thing and something that many couples love to share. Vivienne and Brian Murphy are no exception to this. Vivienne plays the clarinet and saxophone, while Brian’s instruments are the baritone horn, valved trombone and piano. While Brian has played the piano and baritone horn for some time, he had only recently taken up the valved trombone. The couple began making music together after they had retired and it’s a pastime they thoroughly enjoy. Mastering a new instrument is one thing. However, it is even more difficult when seeing the music on the stand is problematic. 

Understanding the problem

Vivienne and Brian first visited Allegro Optical opticians last year, having heard about our specialism with musicians. Vivienne is an experienced varifocal wearer.  While they were fine for everyday visual tasks, they didn’t provide a good enough field of view when she was playing. Following a comprehensive eye examination, our Optometrist, who has some experience of playing the Saxophone herself, completely understood Vivienne’s predicament and was able to find a prescription to solve her focusing problems. Vivienne then consulted Dispensing Optician Sheryl. Sheryl suggested a pair of varifocal lenses and a pair of specialist musicians glasses for music making. In some cases such as this many optical retailers will try dispensing an occupational lens for musicians. That still wouldn’t address the distances and field width Vivienne needed. Specialist musicians glasses a Godsend for musicians Vivian and Brian Murphy thanks to the musicians optician Allegro Optical DIspensing Optician of the year

The solutions

Sheryl created a completely individual lens design to enable Vivienne to see her music clearly, while still seeing the conductor. The lens design took into account the position of Vivienne’s music stand, her seating positing and the position of her conductor. Creating a clear view at all these distances. Without any of the distortion like that experienced in a varifocal or occupational lens.   While Vivienne was with Sheryl Brian also had an eye examination. Brian also wears varifocals, although he never makes music in them. Having had some neck problems in the past Brian prefered to use single vision lenses when playing his baritone horn. However, that meant that he couldn’t see the conductor very well. Just like Vivienne, we found the perfect prescription for Brian’s working distances. Sheryl created a completely individual lens design to enable him to see his music and the conductor. 

Annual Check

Jump forward twelve months and Brian and Vivienne returned to Allegro Optical for an annual check. It was so nice to catch up and hear about what they are playing and how they are getting along. As musicians ourselves we like to hear what pieces people are working on about any concerts which they may have coming up. While we were chatting we asked Brian and Vivienne how they liked their music glasses. Vivienne said: “These glasses have helped me a lot with my music. I now no longer misread the notes as I did when using my varifocal’s. So they have improved my standard of play.  I also was surprised to find that they are really useful when I use my computer.” Brian added; ” I am very pleased with these glasses.  They are particularly effective when I have to share a music stand in band practice.” Specialist musicians glasses a Godsend for musicians Vivian and Brian Murphy thanks to the musicians optician Allegro Optical DIspensing Optician of the year

Why Allegro Optical?

We are an independent family run business and we are gaining an international reputation for professional excellence and an inventive approach to solving our clients vision problems. Now known internationally as the ‘Musicians Opticians’ as we are attracting many clients from across Europe and further a field. Thanks to our groundbreaking work in the field of performers eye care Allegro Optical have become the first and only opticians to gain registration with the British Association for Performing Arts Medicine (BAPAM). We treat each and every client as an individual simply because they are. No two performers are the same, so why should their vision correction be? At Allegro Optical we enjoy creating unique lenses to meet performers individual needs. As musicians and performers ourselves we can ask the right questions and interpret the answers accordingly.

Award-winning eye-care

Allegro Optical has been so successful in helping performers that this year alone we have scooped no less than five national and regional awards. These awards include the National ‘Best New Arts & Entertainment Business of the Year‘ at a gala event in London. Managing Director Sheryl Doe was awarded the 2019 ‘Dispensing Optician of the Year‘ and she has been shortlisted for the AOP Dispensing Optician of the year 2020. During March Allegro Optical was awarded the ‘Scale-Up Business of the Year‘ at the regional finals of the Federation of Small Business awards in York and went on to receive the FSB Chairman’s award at the national finals in May. Finally winning the FBU Yorkshire family business of the year. Allegro Optical’s unique optical solution and our cutting edge approach to dispensing has led to the group being named finalists in the Huddersfield Examiners Business Awards in the Innovation and Enterprise category. The company has been featured in many national publications including The Times 4BarsRest, The British Bandsman and Music Teacher Magazine. Are you are a musician who is struggling with their vision? Is making music is no longer the enjoyable experience it once was? If so call us at either Greenfield on 01457 353100 or Meltham on 01484 907090.
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About Allegro News

A very specific problem for a Trombonist who just wanted to see the music

Graham just wanted to see the music

At Allegro Optical we love helping musicians to see the music and we relish a challenge.  Trombonist Graham Palmer from Wiltshire laid down a very specific challenge for us. Graham told us that he was noticing that the staves on his sheet music were merging into each other. For non musical readers, a stave is a set of five horizontal lines and four spaces used in Western musical notation to represent a different musical pitch. 

 

Sight reading had become very problematic for Graham as trying to distinguish which line he should be playing was almost impossible. As musicians, we usually enjoy playing a new piece, but this was far from a treat for Graham.

The problem

Graham is presbyopic and mildly astigmatic was wearing the following prescription bifocals;

RE -0.25/-0.75 x 180  Add +2.25

LE 0.00 / -1.25 x 45    Add +2.25  

With single vision glasses for music made up to;

RE +1.00/-0.75 x 180  Add +2.25

LE  +1.25/ -1.25 x 45   

While Graham’s bifocals were fine, unfortunately the music glasses just weren’t working for him. Having found a change in axis in the right eye Optometrist Gemma carried out a fixation disparity test. This was to detect any diplopia, also known as double vision at distance. She also used the Mallett unit to detect any near point convergence issues. None were detected. However when concentrating on the printed music on the stand Graham struggled to maintain the union of the visual axes and fairly quickly used up his fusional reserves. Resulting in the appearance of overlapping staves. To alleviate this problem, Gemma prescribed some vertical prism, helping  Graham to maintain his fixation when reading his music.

The solution

When dispensing lenses for musicians, I always bear in mind that they will be required to look through a central location in the lens to achieve the corrective power required for a particular working distance. This was a challenge for Graham. Because the need for a prismatic element in the lens meant that a conventional lens was out of the question. Graham needs to move his eyes to read his music. He can’t move his head due to the nature of his instrument and the restrictions of his mouthpiece.

The danger of dispensing a conventional lens is that the further off centre the wearer looks, the greater the image displacement. When the wearer looks down from the centre of a “plus” lens, Base Up prismatic effect is induced and the image appears to move downwards. However, when the wearer looks down from the centre of a “minus”, Base Down prismatic effect is induced and the image appears to shift upwards.  This is what was happening when Graham was playing, causing him to experience the focusing problems and partial double vision. 

For this reason I dispensed Graham with a pair of digital freeform lenses. Specifically for music stand distance, incorporating a prismatic element. Graham found the new lenses to be better than the previous pair. He does still have to move his head a little, but his vision is much improved and he can enjoy making music again.  

Trombonist Graham Palmer buys his specialist musicians glasses from Allegro Optical the musicians optician

The verdict

I heard from Graham a few weeks after he had received his new glasses and he said; “Simply put without Optical Allegro I would have had to stop playing. Two pairs of music glasses from a well known high street optician did not help. I was left  feeling as if the end of my playing had arrived I contacted Optical Allegro. The difference was enormous!  Nothing was too much trouble and they went that extra mile for me. Thank you Sheryl and all your staff for being so friendly, supportive and caring to both myself and my wife”. 

Why do musicians come to Allegro Optical?

An independent family run business we are gaining an international reputation for professional excellence and an inventive approach to meeting customer needs.

Now known internationally as the ‘Musicians Opticians’ we are attracting many clients from across Europe and further a field. Our groundbreaking work with performers, players and conductors has resulted in Allegro Optical becoming the first and only opticians to gain registration with the British Association for Performing Arts Medicine (BAPAM).  

We treat each client as an individual and it is true that no two musicians are the same. So why should their vision correction be? We enjoy creating unique lenses to meet a musician’s particular needs. As musicians ourselves we can ask the right questions and interpret the answers accordingly.

Award-winning eye-care

So successful has Allegro Optical been in helping performers that this year alone we have scooped no less than five national and regional awards. These awards include the National ‘Best New Arts & Entertainment Business of the Year‘ at a gala event in London. Managing Director Sheryl Doe was awarded the 2019 ‘Dispensing Optician of the Year‘. During March Allegro Optical was awarded the  ‘Scale-Up Business of the Year‘ at the regional finals of the Federation of Small Business awards in York and went on to receive the FSB Chairman’s award at the national finals in May. Finally winning the FBU Yorkshire family business of the year.

The company has been featured in many national publications including The Times 4BarsRest, The British Bandsman and Music Teacher Magazine.

Are you are a musician who is struggling with their vision? Is making music is no longer the enjoyable experience it once was? If so call us at either Greenfield on 01457 353100 or Meltham on 01484 907090.

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Now Peter really is Mr Bass Man thanks to his specialist musicians glasses

EEb Bass Player Peter plays in Mono

It’s always nice to catch up with a musical friend and EEb Bass player Peter Minshull from Cheshire has become just that. Having visited Allegro Optical in the past and being one of our early clients purchasing a pair of specialist musicians glasses. It was lovely to see him again when he visited us for his yearly check.

During the eye examination it became apparent that Peter had had a hyperopic shift. Meaning he had become a little more long sighted. Peter had felt that his vision had changed and mentioned that reading music on his stand was becoming more problematic even with his specialist musicians glasses.

Peter is a retired Civil Engineer and since retiring has returned to music making and now plays for several ensembles including;

Winterley Methodist Brass Band

Sandbach U3A Band 

Alsager Light Orchestra

This means that no two working distances are ever the same as the rehearsal rooms and so set up differs. Because of this we had to try to give Peter as good a range of vision as possible.

Alsager Light Orchestra
Alsager Light Orchestra. Photo courtesy of Geoff Reader

It’s not always better in stereo

Peter who is presbyopic, also has a strong right eye dominance, the tendency to prefer visual input from one eye to the other. This is a bit of a challenge for an EEb Bass player. The large bell of the instrument partially obscures his field of view. This  means he has to read the music with his non dominant eye. This can present as his right eye was dominating his vision and his brain was processing the right image by preference. We resolved this by suppressing Peter’s dominance. Preventing the right eye from disturbing his vision of the music on the stand. 

Ocular dominance issues solved at Allegro Optical Opticians in MelthamWe dispensed a monocular solution which allowed Peter a clear view of the conductor. In his right lens we also gave him a little notation field to the bottom of the lens. While in the left we concentrated on giving the widest field at music stand distance. Both lenses are fully personalised freeform lenses, manufactured using the latest digital ray-path technology, to maximise visual performance.

Seeing the music

Peter collected his new glasses a couple of weeks later, (while his wife Keri was having her eye test). We had experimented with Peter’s problem and had dispensed a mono-vision solution. So, we all held our breaths when Peter tried them on. Would he like the new monocular solution? What if he experienced double vision? Would he lose his depth of field? These were some of the questions we asked ourselves during the dispense and production process. I know we were all thinking that when he first put them on!

Peter Minshull EEb Bass player buys his specialist musicians glasses from ALlegro Optical the musicians optician

Seeing is believing

Thankfully Peter adapted really quickly. After an initial adjustment period to his new prescription, his vision seemed to settle very quickly. All our musicians lenses come with a full guarantee, just like all varifocals. If it isn’t perfect the first time, we will change the design until it is.

Peter was back at the practice a couple of weeks later when his wife came to collect her new glasses. While there he commented on the wide field of view he has of the music on his stand. We asked him how he was getting along with his new glasses and he said; I was becoming increasingly frustrated by High Street opticians who could only offer what they called ‘work’ glasses (intermediate/long distance varifocals) which did not work for reading music and seeing the conductor clearly.  When I met Sheryl at the Blackpool area band contest it was a ‘no-brainer’. To go to an optician who not only understood the problems musicians have, but are very capable of solving these problems. My latest glasses work very well – when I first started using them it was obvious that I was using my left eye to read the music, rather than my right eye which I had previously. However, having used them for a little while now I have become accustomed to them. I now don’t notice which I eye I am using. All I notice is that the music is always in focus no matter what size of the print.

Why Allegro?

Making music requires the ability to read music, often very quickly and at many different distances. This can present a musician with real problems, particularly if their instrument obscures their visual field. As a result of this, some musicians go on to develop postural problems because of their compromised visual clarity.

As musicians ourselves we have an understanding of the playing and seating positions of professional musicians. Thanks to very knowledgeable team of optical professionals, of which many are musical. We are ideally placed to resolve these issues and many more with our unique specialist musicians lenses.  Once we have restored visual clarity and the optical disorders corrected the musicians working and playing life can easily be improved.

A family business

As an independent family run business we are gaining an international reputation for professional excellence. Our inventive approach helps us to meet customer needs. Now known internationally as the ‘Musicians Opticians’ we are attracting many clients from across Europe and further a field. Our groundbreaking work with performers, players and conductors has resulted in Allegro Optical becoming the first and only opticians to gain registration with the British Association for Performing Arts Medicine (BAPAM).

We treat each client as an individual because they are. It is true that no two musicians are the same, so why should their vision correction be? We enjoy creating unique lenses to meet a musician’s particular needs. As musicians ourselves we can ask the right questions and interpret the answers accordingly. Dispensing specialist musicians glasses means musicians can continue to play and enjoy making the music they love.

Award-winning eye-care

So successful has Allegro Optical been in helping performers that this year alone we have scooped no less than five national and regional awards. These awards include the National ‘Best New Arts & Entertainment Business of the Yearat a gala event in London. Managing Director Sheryl Doe was awarded the 2019Dispensing Optician of the Yearand she has been shortlisted for the AOP Dispensing Optician of the year 2020.

During March Allegro Optical was awarded theScale-Up Business of the Yearat the regional finals of the Federation of Small Business awards in York and went on to receive the FSB Chairman’s award at the national finals in May. Finally winning the FBU Yorkshire family business of the year. Allegro Optical’s unique optical solution and our cutting edge approach to dispensing has led to the group being named finalists in the Huddersfield Examiners Business Awards in the Innovation and Enterprise category.

The company has been featured in many national publications including The Times 4BarsRest, The British Bandsman and Music Teacher Magazine.

Are you are a musician who is struggling with their vision? Is making music is no longer the enjoyable experience it once was? Would you benefit from a pair of Specialist musicians glasses. If so call us at either Greenfield on 01457 353100 or Meltham on 01484 907090.

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Double trouble for a musical duo – A couples search for specialist musicians glasses

A tale of a musical couple search for specialist musicians glasses – by Stephen Tighe

It’s not unusual forthe musician’s opticianto book an instrumentalist in for an eye test. It is less frequent that we book those appointments in pairs. However musical couples are quite a thing, our own directors are a musical pairing. So when Conductor and Tuba player Marcus Jones and his partner, Louise Crane rang to book an appointment together, the team weren’t phased.

In time, but one at a time

The couple visited our practice in Greenfield Saddleworth, with Louise being the first in the “big chair.”  Louise complained of some eye strain with her current glasses, she felt it was time to seek a new prescription. As a musician with a moderate hyperopia prescription and a high oblique astigmatism, Louise immediately presented us with a challenge. Louise also has a minor strabismus and was investigated for Brown’s Syndrome as a child. We knew that peripheral distortion was going to be a problem for Louise, so we needed to overcome this.  Being relatively young, Louise retains a good amount of accommodation, but her near vision is quite unbalanced. For this reason, unusually, we prescribed Louise with uneven add’s. We dispensed Louise with specialist musicians glasses with lenses from our turba range, as she still has relatively low adds. We did however want to balance her vision as best we could to make playing, conducting and life in general as easy as possible. The higher add was given for her left and less accommodative eye. While we have kept the addition to a minimum for the dominant right eye. 

Ashton Riley

Louise chose two beautiful frames from the Ashton Riley range, beautiful frames designed in the UK by Brett Waugh and named after his son. These easy to wear frames feature interesting but wearable shapes, which are complemented by acetate colours with depth and detail. Louise chose the Manchester and York models providing her with two very different styles for different occasions. Both frames dress up or down and are extremely flattering to Louise’s face shape.   
Ashton Riley York from Allegro Optical Opticians
Ashton Riley – York
Ashton Riley Manchester Black Matte from Allegro Optical Opticians
Ashton Riley – Manchester
When asked about her new glasses Louise, who conducts the Middleton youth band and plays soprano cornet for the main band, said; “I’m loving my musicians glasses! I was a bit skeptical at first having always had a single vision lens. But the Allegro team took the time to carefully tailor my new prescription and lenses really well. The eye strain and headaches I was experiencing have completely gone and I can now see fine print and music much more clearly, highly recommended.”
Louise Crane and Marcus Jones buy their specialist musicians glasses at Allegro Optical the musicians optician
Louise and Marcus

A second sitting

Next in the chair was Marcus, current Music Director of Dove Holes Brass Band and talented Tuba player. Marcus is mildly short sighted and can see the music on his stand fairly well without his glasses. However taking specs on and off during rehearsals isn’t very practical. Like Louise we dispensed Marcus with two pairs of specialist musicians glasses. Both with Turba lenses to help with transitioning between the two working distances.  Marcus wanted a frame that fitted well with a wide eye size. Opting for our 2-4-1 offer Marcus chose the Jaguar 33098 in both blue and charcoal. When he collected his new glasses Marcus commented on how comfortable they were in comparison to his old tight fitting spectacles. In fact Marcus went on to say; I’d recommend Allegro Optical Ltd to all glasses wearers musicians or not, their care and understanding goes above and beyond.”  Thank you Marcus.

Why Allegro?

This case study illustrates how frustrating vision problems can be for the musician. Focusing at the many different distances can be very problematic. As was illustrated in both Louise and Marcus’s case, many musicians find they struggle with the varying focal distances required. Some musicians even suffer from postural problems, which are often caused by their deteriorating vision as they try to compensate for this reduced visual acuity. With an understanding of the playing and seating positions of professional musicians, this can be overcome and the musicians working and playing life can easily be improved.  Many Musicians who experience vision problems are unaware that there is a solution to their vision problems and soldier on. Thanks to Allegro Optical there is no need to suffer in silence.

A family Business

As an independent family run specialist business, Allegro Optical is gaining an international reputation. Both for professional excellence and an inventive approach to meeting customer needs. Becoming known internationally as the ‘Musicians Opticians’ the team are attracting many clients from across Europe and further a field. It’s our groundbreaking work with performers, players and conductors which has resulted in Allegro Optical becoming the first and only opticians to gain registration with the British Association for Performing Arts Medicine (BAPAM).   We firmly believe in treating each client as an individual and it is true that no two musicians are the same. Even if they come in pairs! On that note we ask our usual question.  Why should all musicians vision correction be the same? We enjoy creating unique lenses to meet a musician’s particular needs. As musicians ourselves we can ask the right questions and interpret the answers accordingly. Marcus and Louise have been delighted with their specialist musicians glasses and now recommend us to all their friends.

Award-winning eye-care

So successful has Allegro Optical been in helping performers that this year alone we have scooped no less than five national and regional awards. These awards include the National ‘Best New Arts & Entertainment Business of the Yearat a gala event in London. Managing Director Sheryl Doe was awarded the 2019 ‘Dispensing Optician of the Year‘. During March Allegro Optical was awarded the  Scale-Up Business of the Year at the regional finals of the Federation of Small Business awards in York and went on to receive the FSB Chairman’s award at the national finals in May. Finally winning the FBU Yorkshire family business of the year. The company has been featured in many national publications including The Times 4BarsRest, The British Bandsman and Music Teacher Magazine. Are you are a musician who is struggling with their vision? Is making music is no longer the enjoyable experience it once was? If so call us at either Greenfield on 01457 353100 or Meltham on 01484 907090.
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Christmas fashion and style in Greenfield, Saddleworth and Meltham, Holmfirth

Christmas fashion and style in Meltham and Saddleworth

The big day is nearly here and you’re invited to an evening of Christmas fashion and style in Meltham and Saddleworth. Are you a last minute Christmas shopper, trying to get something for everyone a week before the big day? Or, have you not only bought, but actually wrapped most of your presents already? Either way you can’t deny that the festive season is nearly upon us. 

Does the office party or Christmas Jumper Day fill you with dread? Do you worry about what to wear to the charity gala dinner? If so help is at hand as Allegro Optical calls in the experts at two evenings of festive fun and sparkle. 

Find your fashion

Following on from our successful colour and style event in July we are hosting two evenings of seasonal fashion and style tips. Coco Chanel famously said “Fashion changes, but style endures” and that is what the evenings are all about.

The purpose of our event is to engage in an evening of discussion about the importance of self-confidence through good styling. Fashion wouldn’t exist without style. Many of us don’t feel empowered enough to wear the styles of clothing that appeal to us the most. At Allegro Optical we want to encourage everyone to be bold enough to celebrate their own style and unapologetically express themselves.

A word from the experts

Guest speakers will use style, embellishment, and festivities as a topic to lead discussions about how to stay confident, motivated, inspired and most of all to love ourselves. The fashion industry doesn’t discuss this enough, so we aim to encourage and empower our audience and have them leave inspired or having inspired others. We talk about how colour and shape can flatter or flounder and how it can help your personality sparkle this festive season.

The evenings begin with a drinks and nibbles reception and you will have the opportunity to talk to all the speakers. 

Sparkle event ALlegro Optical at Scona 14th November 2019The first event is taking place on Thursday 14th November at Scona in Greenfield at 7:30 

Sparkle event Allegro Optical at 20th November 2019The second on Wednesday 20th November at Allegro Optical in Meltham.

If you would like to join us for an evening of sparkle and style in Greenfield register here or call 01457 353100 or for Meltham click here or call 01484 907090

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Clear vision is music to Richard’s ears and eyes

Now Richard’s vision is clear he no longer has to strain his eyes to see he music

Choreographer George Balanchine famously said; “See the music, hear the dance”. But what does a musician do when they can no longer see the music they have to play? That was a question violinist Richard Bottom asked himself when he moved desks. Richard plays for Slaithwaite Philharmonic Orchestra and began to struggle with the symptoms of presbyopia when he moved his position within the ensemble. Suddenly Richards eyes we’re giving him clear vision of the music.

A real life problem

A seasoned varifocal wearer Richard is no novice when it comes to using multifocal lenses. However he was finding it increasingly more difficult to read his music when playing in. Richard mentioned this to his current optician who suggested changing his varifocal design. Switching Richard to the newest top of the range freeform lenses.

Richard took the plunge and upgraded to a new pair of individualised varifocal lenses which he was assured would allow him to play with ease. They didn’t, the new lenses still only provided a very small area of clear vision at music stand distance. Richard returned to his optician and explained that the new lenses really weren’t suitable. His optician then suggested a pair of bifocals, these turned out to be even worse. In the end Richard was dispensed with a pair of single vision spectacles for music stand distance only. Unfortunately this meant he couldn’t see anything else when playing. By now Richard was at his wits end.

Seeing the music

The “musicians’ optician” was recommended to Richard by several friends, who had visited Allegro Optical, including our neighbour Clive, from Pearsons Funerals, who plays double bass for the orchestra. So he decided to give us a try. Following a thorough eye test, Optometrist Sara Ackroyd identified not only an optical prescription, she also came up with a prescription for  Richards working distances when rehearsing and performing.

 

With a mildly hyperopic prescription Richard also has an  astigmatism, a refractive error caused by the irregularities in the shape of his cornea. In this condition, the eye fails to focus the light equally on the retina, leading to blurred or distorted vision. Astigmatism can cause a certain amount of peripheral distortion for the wearer, as do varifocal lenses. So it is no wonder that Richard was having some frustrating focusing issues.

What happened next?

Following the eye test Richard then had a meeting with Dispensing Optician Sheryl, who measured his facial features and helped him choose a well fitting frame. Having chosen the frames, Sheryl measured and mapped Richards field and required depth of view. This was to ensure that the new lenses provided Richard with the correct visual correction in the right place.

Sheryl Dispensed Richard with our Fogotto lenses to give the best field of view, especially as his head movement is limited when playing the violin. When looking from the music on the desk up to the conductor, Richard can only move his eyes. He also needs to be able to see the music on the desk of the player in front of him.

Richard Bottom violinist who play with Slaithwaite philharmonic orchestra buy their music sprectalcles from ALlegro Optical the musicians optician

A real life solution

It is very difficult to reproduce the layout of the rehearsal room in practice. Our optical practice is much smaller than a rehearsal room and so some distances are often estimated. Usually this isn’t a problem, but when Richard collected his new glasses, even though he was delighted with the clarity of the music on his stand, he struggled to see the music of the musician in front. 

We asked Richard to check these distances in Slaithwaite’s rehearsal room and the position of the desk in front. Armed with this information we were able to manipulate the lens design. We produced a new pair of lenses to give Richard the vision correction at those distances he had measured without compromising the clarity of his music.

A clear result

On trying the new lenses Richard was delighted and very confident. A few days later a  group of us from Allegro Optical went to see Slaithwaite Philharmonic Orchestra with an evening of  Magic and Reimagining; featuring Prokofiev, Suite from Lieutenant Kije, 

Ravel, Piano Concerto in G and Sibelius, Symphony No 1. The concert was a triumph and the playing quite exceptional, We thoroughly enjoyed a really interesting programme which was certainly a most uplifting experience. The members of the orchestra certainly appeared to enjoy playing and that added to an outstanding performance. At the end of the evening the atmosphere amongst the audience was really buzzing. 

Violinist Richard Bottom at Huddersfield town hall with Sheryl from ALlegro Optical, the musicians optician

While there the team caught up with Richard during the interval and asked him how he was getting on with his new glasses.  He said; They are fantastic! Slaithwaite Phil are renowned for taking risks with the programmes they perform and the complexity of some of the music we tackle means you have to be able to see not only the music on the stand but everything else going on around. Two of the pieces we played tonight were new to me and, for the first time for ages I have been able to become totally absorbed in  the music and  performance because I haven’t been struggling to see. Considering I only picked the glasses up two days ago that is quite remarkable

Why do musicians come to Allegro Optical?

As an independent family run business we are gaining an international reputation for professional excellence and an inventive approach to meeting customer needs.

Now known internationally as the ‘Musicians Opticians’ we are attracting many clients from across Europe and further a field. Our groundbreaking work with performers, players and conductors has resulted in Allegro Optical becoming the first and only opticians to gain registration with the British Association for Performing Arts Medicine (BAPAM).

We treat each client as an individual because they are. It is true that no two musicians are the same, So why should their vision correction be? We enjoy creating unique lenses to meet a musician’s particular needs. As musicians ourselves we can ask the right questions and interpret the answers accordingly. This allows us to give a musician or performers eyes clear vision of the music.

Award-winning eye-care

So successful has Allegro Optical been in helping performers that this year alone we have scooped no less than five national and regional awards. These awards include the National ‘Best New Arts & Entertainment Business of the Year‘ at a gala event in London. Managing Director Sheryl Doe was awarded the 2019 ‘Dispensing Optician of the Year‘ and she has been shortlisted for the AOP Dispensing Optician of the year 2020.

During March Allegro Optical was awarded the ‘Scale-Up Business of the Year‘ at the regional finals of the Federation of Small Business awards in York and went on to receive the FSB Chairman’s award at the national finals in May. Finally winning the FBU Yorkshire family business of the year. Allegro Optical’s unique optical solution and our cutting edge approach to dispensing has led to the group being named finalists in the Huddersfield Examiners Business Awards in the Innovation and Enterprise category.

The company has been featured in many national publications including The Times 4BarsRest, The British Bandsman and Music Teacher Magazine.

Are you are a musician who is struggling with their vision? Is making music is no longer the enjoyable experience it once was? Would you like to give your eyes clear vision of the music? If so call us at either Greenfield on 01457 353100 or Meltham on 01484 907090.